“We have broken through! It’s time Australia! Awaken!”
I saw this image continually throughout the Live to Love conference, and especially when we prophetically declared over Australia in worship Saturday morning. With roots deep in the artesian wells (the Holy Spirit) we have broken through the dry earth (hard hearts of a country with ‘no religion’ as their main religion).
The Great Artesian Basin, under central and northeastern Australia, is the largest and deepest artesian basin in the world, stretching over 1,700,000 square kilometres. On September 9, 2004, at DaySpring (I remember it well!) Rick Joyner prophesied the “greening” of interior Australia, saying “Australia will emerge as one of the most strategically important nations in the world over the next two decades. It will be one of the leading nations in the newer world that is about to emerge. Australia will begin to fulfil its original name, ‘the great South Land of the Holy Spirit.’ The people of Australia will have a special love for the Holy Spirit and they will know Him and His works. As they do this, the Holy Spirit will move upon the desert interior of the nation, beginning to make it fertile and fruitful. This will be a sign that the heart of Australia is being changed.”
Title: Awakening Australia || Artist: Wendy Manzo || Painted: Dayspring Church, Sydney, 25 February 2018
Stop For the One: Live to Love conference with Heidi Baker, Ben Fitzgerald, Will Hart, Jason Lee Jones, and Daniel Hagen
About Giclee printing.
We use the word ‘print’ so that we are easily understood, however, technically speaking, our prints are not prints at all. They are fine art reproductions of original works. The quality is so high that it is difficult to tell between the reproduction and the original.
The most critical part of reproducing artwork is Digital Capture and Colour Correction, so the photographic file provides the truest representation of the original. It’s not just using a good camera, but using the right camera with expertise and experience. Wendy’s artwork is captured using specialised techniques to ensure your reproductions will be colour correct and faithfully reproduce all the detail and tones of the original painting.
Giclee Reproductions are premium high-resolution digital images produced on museum quality, Canson 300-320gsm Cotton Rag (fine cotton fibres woven into a paper-like product) printed with archival Canon Lucia EX 12-colour pigment high-performance inks. Canon Lucia EX pigment inks achieve an “under glass” permanence of 95 years for colour images.
Giclee can be confusing, as many may incorrectly assume that all digital printing is equal. Essentially Giclee (pronounced ‘zhee-clay’) is an invented name from the French word ‘le gicleur’ meaning ‘to squirt’. It was originally coined in 1991 to distinguish between common digital prints and the highest quality form of art reproductions using wide format inkjet printing technology. In 30+ years, this technology has advanced enormously, giving an even wider distinction between Giclee reproductions and digital prints. However, we still use the word ‘print’ because it is the common use of the term and it’s easier to say than ‘reproductions’.
Fine Art Giclee Reproductions should be protected by framing behind glass, using a matte to separate them from the glass. Consult your local framer for the best way to frame your art reproduction and read our blog article “Caring for your Fine Art” for information on ensuring your artwork still looks amazing for 3 – 4 generations. When you invest in a quality print you want it to last!
|Dimensions||91 × 5 × 91 cm|