Room For You


Certified Open Edition prints.

“Room For You”

Narrative: This one will be hard to articulate.

I came onto stage with less than nothing, nothing being the normal state of surrender before painting in worship, but this night I was spent … I asked Ashleigh Green “What’s your word for tonight?” and she answered “Miracle”. We laughed and agreed.

I just painted. I was lifted somewhere else, and just painted. I could not see what it was, until an overflow of some sort started to trickle over the edges. I felt in the distance there was a “Niagara falls” but couldn’t see it. I keep ‘pulling’ it through the centre of the painting. (I must watch the Streaming replay on DaySpring TV and see what that looked like!) I was lost in worship. I painted a mist rising with the back of my hand, because the lights were drying the paint too quickly and the back of my hand was the only place that worked. I don’t even know how I ‘thought’ that. The sounds of worship were intense. Holy ground. Then a gold glory cloud appeared on the canvas, and from it flowed light and life. It looked like a waterfall of sorts but not really. It just looked like LIGHT to me. An overflow of light into every space.

At one point I said, Lord what is this? And He answered, you make room for Me and this is what I’ll do. That undid me …. I don’t think I stayed standing, and I know I cried from the sheer closeness of Him.

And that’s all I can say, because I’ve got nothing …

Title: Room For You ||  Artist: Wendy Manzo  || Painted: Final evening Encounter Conference DaySpring 16th March ’19


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About Giclee printing.

We use the word ‘print’ so that we are easily understood, however, technically speaking, our prints are not prints at all. They are fine art reproductions of original works. The quality is so high that it is difficult to tell between the reproduction and the original.

The most critical part of reproducing artwork is Digital Capture and Colour Correction, so the photographic file provides the truest representation of the original. It’s not just using a good camera, but using the right camera with expertise and experience. Wendy’s artwork is captured using specialised techniques to ensure your reproductions will be colour correct and faithfully reproduce all the detail and tones of the original painting.

Giclee Reproductions are premium high-resolution digital images produced on museum quality, Canson 300-320gsm Cotton Rag (fine cotton fibres woven into a paper-like product) printed with archival Canon Lucia EX 12-colour pigment high-performance inks. Canon Lucia EX pigment inks achieve an “under glass” permanence of 95 years for colour images.

Giclee can be confusing, as many may incorrectly assume that all digital printing is equal. Essentially Giclee (pronounced ‘zhee-clay’) is an invented name from the French word ‘le gicleur’ meaning ‘to squirt’. It was originally coined in 1991 to distinguish between common digital prints and the highest quality form of art reproductions using wide format inkjet printing technology. In 30+ years, this technology has advanced enormously, giving an even wider distinction between Giclee reproductions and digital prints. However, we still use the word ‘print’ because it is the common use of the term and it’s easier to say than ‘reproductions’.

Fine Art Giclee Reproductions should be protected by framing behind glass, using a matte to separate them from the glass. Consult your local framer for the best way to frame your art reproduction and read our blog article “Caring for your Fine Art” for information on ensuring your artwork still looks amazing for 3 – 4 generations. When you invest in a quality print you want it to last!

Additional information


Print 30 x 30cm, Print 50 x 50cm, Print 90 x 90cm